翻訳と辞書
Words near each other
・ Signalling lymphocyte activation molecule family
・ Signalling System No. 7
・ Signalling theory
・ Signalman
・ Signalman (comics)
・ Signalman (disambiguation)
・ Signalman (rail)
・ Signalman (rank)
・ Signalness
・ Signalness Creek
・ Signalness Lake
・ SignalR
・ Signalrunners
・ Signals (Mal Waldron album)
・ Signals (Mallory Knox album)
Signals (Rush album)
・ Signals (Wayne Krantz album)
・ Signals and slots
・ Signals brigade
・ Signals for Tea
・ Signals intelligence
・ Signals intelligence by alliances, nations and industries
・ Signals intelligence in modern history
・ Signals intelligence operational platforms by nation
・ Signals Intelligence Service
・ Signals of Belief in Early England
・ Signals Over the Air
・ Signals Research and Development Establishment
・ Signals Through the Glass
・ Signals, Calls, and Marches


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Signals (Rush album) : ウィキペディア英語版
Signals (Rush album)

''Signals'' is the ninth studio album by Canadian rock band Rush, released in 1982. It was the follow-up to the successful ''Moving Pictures''. Stylistically, the album was a continuation of Rush's foray into the technology-oriented 1980s through increased use of electronic instrumentation such as synthesizers, sequencers, and electric violin. Other noticeable changes were decreased average song length and lyrical compression. The album reached #10 on the Billboard album charts and was certified platinum (one million copies sold) by the RIAA in November 1982.〔(【引用サイトリンク】title=Gold and Platinum Database Search )
==Writing and recording==
The writing of the album began in 1981, during soundchecks on the ''Moving Pictures'' Tour, which they taped. Coincidentally, parts of "Chemistry" were written by the band at once while they were separated from each other. Geddy Lee wrote the keyboard melody for the bridge section, Alex Lifeson wrote the guitar riff for the verse and Neil Peart wrote the drum beat for the chorus, and in a move unusual for Rush, Lee and Lifeson came with the concept and title for the song and presented rough lyrics for Peart to polish. In April, in Orlando, Florida, the band attempted to watch a launch of the Space Shuttle ''Columbia''. It was canceled because of a computer malfunction, and they finally observed the launch a few days later for inspiration in writing "Countdown".
In September, at Le Studio, Quebec, Peart jammed with the road crew on a song, and was joined by Lee and Lifeson. It was recorded later and temporarily titled "Tough Break". Afterward, Peart wrote lyrics for the song, retitled "Subdivisions", while Lifeson and Lee came up with additional parts. Lee began experimenting with sequencers and drum machines while at home in Toronto, and came up with "The Weapon".
In January 1982, on a docked schooner in the Virgin Islands, Peart presented his lyrics for "The Analog Kid" to Lee and they both agreed that it would make a great up-tempo rocker, with a soft chorus. At Muskoka Lakes, Ontario in March at the Grange, "Digital Man" was put together and at Le Studio, the ska style bridge was created along with the sequencer pattern with the guitar and bass. Producer Terry Brown was not impressed and initially refused to record it. In May, the band set out to record a song that had a time limit of 3:57 to keep both sides of the record equal. The result, "New World Man", was written and recorded on the same day. In June, Ben Mink from the band FM was invited to play electric violin on "Losing It".〔Signals Tour Book〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Signals (Rush album)」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.